You are allowed to take pictures inside the museum as long as you don't use flashes. So be sure to open up your lens, and use the highest ISO you can stand. In some cases you might have to use a tripod. I didn't test that while there, and I am not sure how well it would be received by the guards, who watch everyone like hawks. Might be best to call ahead and see. I had my backpack full of equipment with me, and had to leave it in a locker that they provided for the purpose. All I could take was the camera. So, decide what camera you want to use and work within it's limitations. But most of all, just sit and gaze in wonder at Rockwell's talent. His art is truly ageless. A lot of critics then and now dismiss him, calling him a mere illustrator, but Rockwell had the last laugh. He has an entire museum dedicated to his work, and millions come to see it every year. Few other artists can make that claim.
My wife and I just got back from Stockbridge, Massachussetts. We went for my birthday, and specifically to see the Norman Rockwell Museum. I had not been to Stockbridge since the mid-70s when I visited with my grandmother. At that time, the Rockwell Museum was located downtown, and Rockwell himself was still alive. Soon after, of course, he passed away, and later on a new museum was built some ways out of town. I have to say that the current museum gives away some of the intimacy of the old one. I was a little disappointed that more of his work was not on display as well. I remembered seeing a lot more of his work in the downtown museum. But I may not be remembering correctly. The main thing is that I got to go!
You are allowed to take pictures inside the museum as long as you don't use flashes. So be sure to open up your lens, and use the highest ISO you can stand. In some cases you might have to use a tripod. I didn't test that while there, and I am not sure how well it would be received by the guards, who watch everyone like hawks. Might be best to call ahead and see. I had my backpack full of equipment with me, and had to leave it in a locker that they provided for the purpose. All I could take was the camera. So, decide what camera you want to use and work within it's limitations. But most of all, just sit and gaze in wonder at Rockwell's talent. His art is truly ageless. A lot of critics then and now dismiss him, calling him a mere illustrator, but Rockwell had the last laugh. He has an entire museum dedicated to his work, and millions come to see it every year. Few other artists can make that claim.
You are allowed to take pictures inside the museum as long as you don't use flashes. So be sure to open up your lens, and use the highest ISO you can stand. In some cases you might have to use a tripod. I didn't test that while there, and I am not sure how well it would be received by the guards, who watch everyone like hawks. Might be best to call ahead and see. I had my backpack full of equipment with me, and had to leave it in a locker that they provided for the purpose. All I could take was the camera. So, decide what camera you want to use and work within it's limitations. But most of all, just sit and gaze in wonder at Rockwell's talent. His art is truly ageless. A lot of critics then and now dismiss him, calling him a mere illustrator, but Rockwell had the last laugh. He has an entire museum dedicated to his work, and millions come to see it every year. Few other artists can make that claim.
One of three walls of Saturday Evening Post covers
In the late 80's Rockwell's studio was moved from his property to the museum grounds. Everything in the studio is just as he left it. It's as if he just stepped out for a moment...
Here are a few of my favorite works:
I enjoyed a wonderful afternoon of horse-racing excitement this weekend at the Saratoga Casino and raceway.
The skies were just a little bit overcast, this allows for excellent soft and even lighting.
I'm not much of a gambler, but I love to watch the horses run. I was excited to see that this frame captured a mid-stride moment where both the horse's front legs were in the air.
I always enjoy my time at the Harness Track, even on rainy days. It is a pleasure to shoot here compared to the big track, there are fewer obstructions and I don't need to bring my big 300mm lens to get the shot.
June 2011, I woke well before dawn, excited about my first opportunity to go behind the scenes at the Saratoga Racetrack. The weather was nice and comfortable, the clouds and haze started to burn off quickly as the sun came up.
I was thrilled to be there, even more so because it was turning out to be such a nice day. I did my best to stay out of the way, the stables and training area were very busy!


Steve Bertone is an equine photographer, thoroughbred horse owner, and animal lover. Steve can be found photographing Polo, racehorses, private portrait sessions, and local community events in Saratoga Springs.
Mark Bernard photographs Saratoga scenes and events and will be adding compelling photos from the area. To see more of Mark's work visit his
JT Gilbert loves to photograph the world around him. From long exposures to HDR, color burns to black and whites, you never know what you are going to get.
Juliet R. Harrison loves capturing racing scenes and horses. Juliet will be adding photos from her visits to the Saratoga Racetrack and horse farms. To see more of Juliet's work visit her
Mark Samu is an Architectural Photographer who moved to Saratoga Springs 10 years ago. Now he and his horse, Mr. Peabody, spend countless hours combing upstate New York, searching for interesting subject matter to photograph. He will bring you a variety of images including horses, barns, landscapes, and architecture. I'm sure there will even be an occasional goat!
Recent Comments